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In this group of artists, intimacy, memory and abstraction intersect in different methods, but all share a sensitivity to the short lived: the ignored image, the half-remembered place, the unsteady limit in between what we see and what we feel. Together, they form a quiet however insistent meditation on how suggesting accumulates in normal life.
Taken together, rendered in her unique painterly style, these retellings of easily-forgotten minutes demonstrate how an ordinary life, when taken a look at from a particular point of view, starts to radiate a palpable sense of significance.Rosemary Burn Bowl of cherries, 2025 Mona Sultan's photocollages explain the fragmentary nature of memory and meaning, calling photographic reality into question by breaking down, recontextualising and duplicating images. Stabilizing methodical precision with a clearly human, necessarily imperfect visual perceptiveness, his paintings are lighthearted abstractions for the digital age.Luke Rudolf Fizzog 4, 2025 Jo Berry's airbrushed paintings offer physical types to images that we typically see through a screen andrapidly forget, such as stock photos and ReCAPTCHAs. To me, her distinctive language hazy, misshaped, subtly upsetting shows the alienation and dissociation intrinsic in a world filled with imagery that appears to appear and disappear ever-more quickly. A shadow, a handstand, a large curtain draped over a houseplant: by photographing such things, he provides a second life in which they become long-term. Emile Kees Handstand, 2023 Jo Hummel's minimalist abstractions have a specific ahistorical quality; they connect multiple histories of material experimentation and creation from worldwide within an unique visual language. They locate the viewer within landscapes that feel limitless with a low mist hanging over the horizon. Though unknown, these images are deeply serene, inviting you to delight in the easy enjoyments of a perpetually twilit, pastoral world.Llus-Carles Peric Cap a La Calma, 2014 The scenes that Bianca MacCall paints a train window reflecting the carriage's interior over the passing landscape; a barely-visible car concealed by an ochre-yellow drape seem deliberately strange. They make me think about the synchronised absurdity and beauty of the world in front of me, thinking about familiar scenes through an unfamiliar lens. Bianca MacCall Perpetual Movement, 2023 Henry Ward's painting practice is ever-shifting. If you stand in front of one of his paintings for long enough, you may see it change in real time. The unclear, unpredictable nature of his work is what makes me keep going back to it.Henry Ward Bethany III, 2023.
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